American composer Jake Heggie’s compelling masterpiece, the most widely performed new opera of the last 20 years, arrives in cinemas in a haunting new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s beautiful and poignant music and a brilliant libretto by Tony and Emmy Award–winner Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The outstanding cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and legendary mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.
Anthony Davis’s groundbreaking and influential opera, which premiered in 1986, arrives at the Met at long last. Theater luminary and Tony-nominated director of Slave Play Robert O’Hara oversees a potent new staging that imagines Malcolm as an everyman whose story transcends time and space. An exceptional cast of breakout artists and young Met stars enliven the operatic retelling of the civil rights leader’s life. Baritone Will Liverman, who triumphed in the Met premiere of Fire Shut Up in My Bones, is Malcolm, alongside soprano Leah Hawkins as his mother, Louise; mezzo-soprano Raehann Bryce-Davis as his sister Ella; bass-baritone Michael Sumuel as his brother Reginald; and tenor Victor Ryan Robertson as Nation of Islam leader Elijah Muhammad. Kazem Abdullah conducts the newly revised score, which provides a layered, jazz-inflected setting for the esteemed writer Thulani Davis’s libretto.
Inspired by the magical realism of Gabriel García Márquez, Mexican composer Daniel Catán’s 1996 opera tells the enchanting story of a Brazilian opera diva who returns to her homeland to perform at the legendary opera house of Manaus - and to search for her lost lover, who has vanished into the jungle. The Met premiere stars soprano Ailyn Pérez as Florencia Grimaldi, with Music Director Yannick Nézet-Séguin on the podium to lead a spellbinding new production by Mary Zimmerman that brings the mysterious and magical realm of the Amazon to the Met stage. A distinguished ensemble of artists portray the diva’s fellow travelers on the river boat to Manaus, including soprano Gabriella Reyes as the journalist Rosalba, bass-baritone Greer Grimsley as the ship’s captain, baritone Mattia Olivieri as his enigmatic first mate, tenor Mario Chang as the captain’s nephew Arcadio, and mezzo-soprano Nancy Fabiola Herrera and baritone Michael Chioldi as the feuding couple Paula and Álvaro.
Ancient Babylon comes to life in this classic Met staging of biblical proportions. Baritone George Gagnidze stars as the imperious king Nabucco, alongside soprano Liudmyla Monastyrska, reprising her thrilling turn as his vengeful daughter Abigaille. Mezzo-soprano Maria Barakova and tenor SeokJong Baek are Fenena and Ismaele, whose love transcends politics, and bass Dmitry Belosselskiy repeats his celebrated portrayal of the high priest Zaccaria. Daniele Callegari conducts Verdi’s exhilarating early masterpiece, which features the ultimate showcase for the great Met Chorus, the moving “Va, pensiero.”
Acclaimed English director Carrie Cracknell brings a vital new production of one of opera’s most enduringly powerful works, reinvigorating the classic story with a staging that moves the action to the modern day and finds at the heart of the drama issues that could not be more relevant today: gendered violence, abusive labor structures, and the desire to break through societal boundaries. Dazzling young mezzo-soprano Aigul Akhmetshina leads a powerhouse quartet of stars in the complex and volatile title role, alongside tenor Piotr Beczala as Carmen’s troubled lover Don José, soprano Angel Blue as the loyal Micaëla, and bass-baritone Kyle Ketelsen as the swaggering Escamillo. Daniele Rustioni conducts Bizet’s heart-pounding score.
Music Director Yannick Nézet-Séguin conducts Verdi’s grand tale of ill-fated love, deadly vendettas, and family strife, with stellar soprano Lise Davidsen as the noble Leonora, one of the repertory’s most tormented—and thrilling—heroines. Director Mariusz Treliński delivers the company’s first new Forza in nearly 30 years, setting the scene in a contemporary world and making extensive use of the Met’s turntable to represent the unstoppable advance of destiny that drives the opera’s chain of calamitous events. The distinguished cast also features tenor Brian Jagde as Leonora’s forbidden beloved, Don Alvaro; baritone Igor Golovatenko as her vengeful brother, Don Carlo; bass-baritone Patrick Carfizzi as Fra Melitone; and bass Soloman Howard as both Leonora’s father and Padre Guardiano.
Two singers at the height of their powers—radiant soprano Nadine Sierra and tenor sensation Benjamin Bernheim—come together as the star-crossed lovers in Gounod’s sumptuous Shakespeare adaptation, with Met Music Director Yannick Nézet-Séguin on the podium to conduct one of the repertoire’s most romantic scores. Bartlett Sher’s elegant staging also features baritone Will Liverman and tenor Frederick Ballentine as the archrivals Mercutio and Tybalt, mezzo-soprano Samantha Hankey as the mischievous pageboy Stéphano, and bass-baritone Alfred Walker as Frère Laurent.
Puccini’s bittersweet love story returns to cinemas, with soprano Angel Blue starring as the French courtesan Magda, opposite tenor Jonathan Tetelman as Ruggero, an idealistic young man who offers her an alternative to her life of excess. Maestro Speranza Scappucci conducts Nicolas Joël’s Art Deco–inspired staging, which transports audiences from the heart of Parisian nightlife to a dreamy vision of the French Riviera. Soprano Emily Pogorelc and tenor Bekhzod Davronov complete the sterling cast as Lisette and Prunier.
Extraordinary soprano Asmik Grigorian tackles the demanding role of Cio-Cio-San, the loyal geisha at the heart of Puccini’s devastating tragedy. Tenor Jonathan Tetelman stars as the callous American naval officer Pinkerton, whose betrayal destroys her. Mezzo-soprano Elizabeth DeShong reprises the role of the steadfast maid Suzuki, and baritone Lucas Meachem is the American consul Sharpless. Acclaimed maestro Xian Zhang takes the podium to conduct Anthony Minghella’s vivid production.